October 13, 2012

Dawson’s Creek 6.13, Rock Bottom: Get It Together

Posted in TV tagged , , , , , , , at 2:28 pm by Jenn

“Hi. I’m Bob. I add nothing to this episode”

Summary:Audrey’s finally going to rehab, mostly because Joey’s making her. Audrey thinks she’s being overdramatic about her blackout. She’s also mad that Joey called her parents. The girls joke around, but Joey makes it clear that she cares about Audrey’s well-being. She also wants to know if Audrey hooks up with Ben Affleck in rehab. Audrey thanks her for not giving up on her.

Sometime later, Joey starts to head to class but is held up by a visit from Eddie. He wants to say goodbye, and to admit that she was right when she said he never takes chances. He’s going to California to stay with his sister while he looks into the writer’s workshop Hetson is recommending him for. They hug goodbye, then start to kiss, but are interrupted by a call from Audrey’s mother reporting that she never made it to California.

Dawson directs the reshoots, getting a lot of crap from the director of photography, who should really be more respectful of the guy who’s having such a major effect on his future. Natasha asks Dawson why the scene they’re working on sucks so much. Then he randomly takes a phone call from Gail. Natasha throws another wrench in the works by telling Dawson she won’t be getting naked for the movie.

Grams comes home angry and tells Jen and her still-horrible hair that she and Clifton may have just broken up. He wanted her to convert to Judaism, which she has no interest in doing. Joey and Eddie track down Audrey in a hotel room where she spent the night with a guy named Bob. Bob is currently smoking pot and Audrey is currently asleep in the bathtub.

Joey tells Audrey that Eddie’s on his way to L.A., and he’ll drive the two of them to rehab. Audrey doesn’t want to go, but Joey talks her into a road trip. Her one condition is that Bob comes along. The four of them spend the first few hours of the drive mostly silent, until Joey and Eddie start fighting about how she hasn’t thanked him and he left her in the first place and blah blah blah.

Heather arrives on set to criticize Dawson for running behind and turning in weak work. She reminds him that his work on the reshoots will define the rest of his career. Dawson calls Todd for help but can’t reach him. Natasha overhears and mocks him for looking for rescue. She also questions the exposition he’s written into a scene, since she thinks it can all be dispensed with and condensed into a look. She refuses to do the scene if she has to do the exposition.

During a pit stop, Eddie tells Audrey not to stand on the hood of his car since she may be rich but it’s all he has. She insults him for being poor, then asks Joey who she was talking to on her cell. Joey denies that she made any calls, but Audrey sees that Joey called her mother. She’s mad that her mom didn’t put forth much effort to get her daughter into rehab. She also thinks that for Joey, the road trip is about Eddie, not Audrey.

Joey finally thanks Eddie for putting up with everything during the trip. He tells her it’s more interesting than going on his own. Then Audrey takes off in his car. Meanwhile, Jen and C.J. work a boring shift at the helpline, and she brings up Grams’ breakup. C.J. can sympathize since his widowed Uncle Bill is mopey and lonely. Jen suggests setting the two of them up.

Eddie tries to hitchhike, but Joey’s uncooperative. She seems more upset over having to be with Eddie than she is about Audrey being in trouble. Eddie says Joey can’t help Audrey if she doesn’t want help. Joey accepts this, saying she’s having a hard time letting her friend go. He admires her for being a good friend. Joey wonders what he’s getting out of this. Eddie notes that he gets to spend time with her.

Joey says that Audrey thinks the road trip is about Joey, too. She admits to having trouble letting go of Eddie. She feels like she’s dragging out the inevitable end of things. Eddie tells her he’s never cared about anyone the way he cares about her, but it’s too late. Even though he screwed up, he still loves her. Joey doesn’t get why he would leave her in that case.

On the set, Natasha bugs Dawson some more, then reminds him that directing a real movie is completely different from directing a film with his friends. He needs to show some authority and command respect. Jen and C.J. double date with Grams and Uncle Bill, but it quickly goes downhill when he learns that she’s “one of those religious broads.” They bicker until it looks like Grams is going to cry, but she actually starts laughing.

Dawson finally puts on his big-boy pants, fires the director of photography, and announces to everyone that he’s the director so he’s in charge. He makes sure Natasha knows she needs to stay in line, too. Heather approves, telling Dawson that he has no idea how close he was to getting fired.

Audrey and Bob wind up at a bar, where some guy hits on Audrey and invites her outside to “see his truck.” He actually means have sex with him, and when she declines, things get violent – on Audrey’s part. Joey and Eddie arrive to find Audrey beating the guy up, and when they pull her off of him, she says she thinks it’s time to go to rehab.

The double date ends much better than it started, and C.J. praises Jen for her good idea. She wishes she could be more successful in her own love life. After all, the last guy she liked slept with her friend. C.J. says that if he’d known then what he knows now, he wouldn’t have slept with Audrey – he wouldn’t have wanted to hurt someone as amazing as Jen. He starts to kiss her and she pretends to reject him before kissing him herself.

Dawson wraps for the day and Natasha invites him to get a drink. Meanwhile, the world’s worst road trip finally ends in L.A. Audrey finally apologizes to Eddie for being a jerk, and he admits that she’s not so bad when she’s not being one. Audrey and Joey say goodbye, and Audrey says that Joey needs to let Eddie go. She doesn’t know what to do with Bob, but she plans to tell her parents that they got married in Vegas.

Dawson’s drink with Natasha appears to have turned into a night together, and she suggests getting together to talk in a couple weeks. He tells her it’s not necessary; he always takes relationships too seriously, and now he’s learning to have fun. Natasha’s sure that someday he’ll be a big director and will do her a favor by giving her a role. She’s proud of how Dawson took control on set.

Joey and Eddie walk around the writer’s workshop campus, then start to say goodbye. Eddie decides, however, that instead, they should make plans to meet up in a year, possibly in Paris. In case they don’t make it there, Joey wants him to know that she’ll never forget him. In other words, she loves him, too, and will keep doing so as long as she can. Then there’s, like, a full minute of kissing.

Thoughts: As you can see from the picture, Bob is played by Seth Rogen, who’s reuniting with Busy Philipps, his Freaks and Geeks co-star.

Don’t actresses have nudity clauses in their contracts? And what happened to Dawson’s belief that nudity in movies isn’t necessary – his thing that since Spielberg doesn’t use it, he doesn’t need to either?

Jen wears an orange sweater with a pink elephant on it. So along with the hairstylists, Michelle Williams must have also ticked off the wardrobe department.

I wish Pacey had been in this episode – we haven’t seen his reaction to Audrey’s drinking.

Um…how is Joey getting back to Boston?

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