December 18, 2012

Dawson’s Creek 6.22, Joey Potter and Capeside Redemption: About a Girl

Posted in TV tagged , , , , , , at 9:41 pm by Jenn

There's something so familiar about this...

There’s something so familiar about this…

Summary: Joey voices over something about how she can’t swear this is how things happened, but this is how it felt. Meanwhile, Grams and Jen hold a yard sale in preparation for their move to New York, Jack and Pacey move out of their apartment (still no sign of Emma). Audrey studies, and Dawson works at the Leerys’ restaurant. Joey rows over to the Leerys’ house and climbs the ladder, finding Dawson taking down all his movie posters. She still wants him to make his movie even without any money.

Joey continues that Dawson’s money problems aren’t Pacey’s fault. Dawson says that it’s just par for the course for them. He’s also upset that she’s choosing Pacey’s side, though she says she isn’t. Joey tells him that if he gives up now, everything will be a waste. Dawson says he doesn’t believe in it anymore. The movie was supposed to be “a celebration of friendship,” but he doesn’t want to tell the story anymore. Joey refuses to let him give up.

The next day, Joey gathers Jen, Jack, and Audrey at Grams’ and gives them assignments to make the movie happen. For example, Audrey will be playing Tamara. Jen suggests that she could play Eve, but Eve isn’t in the movie. Audrey asks who Eve is. “Long story. Ambiguous ending,” Jack replies. (So I guess Jen just never asked her mother about that, huh?)

Next Joey goes to Capeside to retrieve Pacey from Doug’s place. Pacey’s been filling his time by watching soaps in his underwear. Joey tells him they’re making Dawson’s movie for “$10 and a dream.” Pacey thinks he would just screw things up, but Joey insists that they need his help. He says things between him and Dawson will never be the same – and neither will things between anyone in the group.

Audrey and Joey bust Harley and Patrick making out, and Joey promises not to tell Hetson if the two of them do her a favor. Meanwhile, Jen and Jack try to get some film geek interested in the movie; Jen even offers to go out with him. He’d rather go out with Jack. Dawson comes home from the restaurant to find Joey, Jen, Jack, and Audrey in his room with all his movie equipment and posters. They tell him they’ve cast the movie for him and will help him make the film. And he doesn’t have to worry about work because Gail is firing him.

Production begins in downtown Capeside, starting with a scene between “Pacey” (Patrick) and “Tamara” (Audrey) at the video store. Joey and Gail have worked something out with Doug to get Pacey to make a delivery. Patrick and film student George start the scene where Pacey and Dawson met Tamara, but Audrey has problems showing skin. Patrick asks if she can just go naked. He narrowly escapes a beating at the hands of Joey. Meanwhile, Pacey tries to charm a dentist into doing a cameo in the movie.

The video-store owner isn’t happy about how long the filming is taking, so Doug (who’s blocked off the street for Dawson) takes him outside to distract him for a few minutes. Joey’s freaking out about how many things are going wrong, but Dawson likes the chaos because it leads to “happy accidents.” Speaking of happy (or at least things that make me happy), Todd arrives to lend a hand, having been told about the movie by Gail. Joey ends up as his errand girl.

Dawson tries to film the scene just before Jen’s first appearance on the show, but Harley (playing Joey) won’t let Patrick pull her into the water because she can’t swim. Joey makes Audrey tend to Todd while she splashes water and makes it look like Harley’s in the water when she isn’t. As Pacey keeps trying to round up townspeople, Joey assures Harley that her character isn’t a lesbian, so that’s not the reason she hates Jen.

Pacey ends up at a restaurant and runs into his old crush Kristy. She’s stunned that he doesn’t remember her. Grams watches the filming from the Leerys’ porch, enjoying that the kids are having fun with each other again. She’s ready to begin the next part of her life in New York. She says she misses Capeside every day but isn’t sorry they left. The two of them and Jack say goodbye to everyone and head off to New York.

Pacey and Kristy catch up, and she gives him her phone number and encourages him to call. As she leaves, Joey arrives and Pacey boasts that the girl who represents every girl who ever thought he was a loser is now interested in him. Joey notes that plenty of girls have told him over and over that he’s not a loser. Pacey still doesn’t want to go to the set, but he gives Joey a bunch of money, so apparently he’s spent all day taking donations. She tells him it’s not her fight.

Dawson wraps the first day of filming with a Joey/Dawson scene from the pilot. The day on the set has made Todd want to produce instead of direct. He also totally wants Audrey. She tries to resist his charms, but ultimately gives in. Dawson and Joey wind up back in their traditional spots on his bed, and he invites her to spend the night. He wonders what she would do if she woke up 15 again. Joey says watching the filming makes her feel like a weight has been lifted. He agrees, saying the movie will save him a lot of money on therapy.

The two talk about what a great day they had, then discuss what the movie is about. Dawson says it’s about a girl who had to grow up to realize she already had everything she wanted. He tells her he’s afraid that if he closes his eyes, she’ll leave. She doesn’t, but when he wakes up in the morning, he’s alone. Joey’s left him a note asking him to meet her by the fountain in what I guess are the ruins.

Dawson’s there at the appointed time, but instead of Joey, he meets Pacey. The guys aren’t sure how to get past their recent fight, since they both meant everything they said to each other. Pacey isn’t sure it’s possible to move on since they’re so different from the people they used to be. He thinks the only thing they still have in common is their love for Joey. The guys confirm that neither regrets the time he spent with Joey. Pacey thinks they’re both lucky that she would want to be with either of them.

Dawson notes that they both wanted Joey so much, they destroyed their friendship, but Joey only ever wanted them to be friends. Pacey asks if it’s possible for them to repair their friendship. After a long pause, Dawson says that anything’s possible. Pacey gives him the money, plus the news that the dentist will need a cameo. Dawson’s very touched and thanks him.

Joey voices over again as Dawson films the last scene, Harley rowing Joey’s boat. Jen and Jack walk through New York as Joey walks down another street in a city she’s finally gotten to visit: Paris. She talks about how her friends have shaped who she’s become, and how she loves them more every day. Bad things happened, but she’s able to remember the good times. She can’t swear this is how things happened, but this is how it felt.

Thoughts: Of course Joey’s the hero here. After all, the show is called Joey’s Creek, isn’t it?

Kristy isn’t played by Ali Larter this time around, so maybe that’s why Pacey doesn’t recognize her.

Joey’s very cheerful in this episode, and it’s a little scary.

So I guess we’re not supposed to be sure if Joey ever really made it to Paris? To quote Jack, “Ambiguous ending.”

November 24, 2012

Dawson’s Creek 6.18, Love Bites: Dance Dance Revelation

Posted in TV tagged , , , , , , , at 2:09 pm by Jenn

YOU IDIOT! LOOK WHAT YOU’RE GIVING UP! AHHHHHHHH!

Summary: Joey and Eddie are staring at each other at Hell’s Kitchen. He starts the writing workshop in the fall, and he’s come back to Boston to thank Joey for helping him get in. He appreciates that she did something so great for him even after he hurt her. If he’s going to be a writer, he wants her around. Joey reminds him that he walked away, and Eddie reminds her that he came back. She tells him she moved on. She tries to apologize but he’s already out the door.

The next day, Harley looks through Joey’s closet, trying to find Joey something to wear when she chaperones Harley’s school formal. Joey doesn’t remember agreeing to chaperone. Harley’s still a little worried about Patrick’s obsession with Joey, but Joey promises not to do anything with him. Over at Grams’, Jen and C.J. have worked out their sex problems and have moved on to talking about Grams, who apparent broke C.J.’s Uncle Bill’s heart. Jen says she’ll find out what happened.

Pacey calls Joey, who apparently never let him know the previous night that she wasn’t coming over after all. He wants to go out that night, but she’s going to Harley’s dance. Pacey realizes Joey will be dressed up and looking pretty, so he invites himself along. Dawson shows up at Pacey’s office with all his money from Todd’s movie – he wants Pacey to help him turn it into more money so he can finance his movie. Pacey’s hesitant to mix business with friendship. Dawson’s instincts are telling him this is a good idea, though.

Jen confronts Grams about ending things with Bill, noting the irony of Grams acting like a teenager while Jen is embarking on a real adult relationship. Grams doesn’t want to talk. Joey looks at pictures of her various exes before Pacey arrives with a couple of corsage options. One is for the fun-loving Joey and one is for the romantic, classical Joey. She picks the radish/carrot “fun-loving” corsage. She also has a rose for him.

Five seconds after getting to the dance, Harley starts complaining, since apparently Patrick isn’t going to dance. Joey says she knows how she feels, since Pacey isn’t a dancer either. Also, he broke up with her at their senior prom. Pacey offers to dance with Harley while Joey tries to fend off Patrick.

Dawson heads to Capeside and puts all his old movie posters up in his bedroom, for “inspiration.” Gail would like to know what he plans to do for money (and not just because she would like rent). Dawson thinks his movie will bring in enough to finance the next one. Gail asks if he has a plan B. He doesn’t know what that phrase means. She points out that making a hit movie is kind of a long shot, so he needs to be practical.

Harley dances with another guy, trying to make Patrick jealous. Joey and Pacey discuss their past prom disaster, and he says he’s glad he got a second chance. Joey completely fails to tell him about Eddie. Patrick gets in a fight with Jamie, the guy Harley was dancing with, and Joey has to remind Pacey that they’re supposed to be the adults there, so he needs to break it up. Harley ends up crying in the bathroom, wondering if Patrick said anything to Pacey about her.

Not really, but Pacey’s giving him a lecture about being an idiot. He tells Patrick to just ask Harley to dance. Joey assures Harley that she’s going through the same thing many girls have gone through, including Joey herself. Harley says that if her high school experiences are the same as Joey’s, she’s doing something wrong. Patrick tells Pacey that he does like Harley; Pacey tells him that having real feelings for a girl will make him a better person. He needs to be nice to her and tell her he likes her.

Joey admits to Harley that she’s had a bad experience at every dance she’s gone to, except this one. She heads to the boys’ bathroom, where Pacey and Patrick are goofing around. Patrick isn’t sure why he should take advice from Pacey, since he’s not exactly the greatest with girls. Pacey points out that he got Joey to go to a dance with him.

Jen relays a message from a doctor to Grams, wondering why she’s seeing a doctor Jen has never heard of. Grams tells her to stop digging for drama. Jen notes that Grams always makes her talk when she’s feeling mopey, so Jen’s repaying the favor. Grams confides that she has a malignant tumor in her breast. She’ll be starting radiation next week because the cancer has spread too far for surgery. Jen is shocked, but Grams doesn’t offer any comfort.

Pacey and Joey agree that the night has been nice, but Joey quickly ruins it by announcing that being with him doesn’t feel right. It’s not him, it’s her, basically. Pacey thinks she’s just scared about where things will go; he is, too. Joey feels sure that it’s not going anywhere. He thinks she’s just pushing him away the way she always pushes people away. He knows his feelings for her are the greatest thing he’s ever felt. He’s sure he can love her again. Joey silences him by announcing that Eddie’s back.

Dawson keeps trying to write something, eventually turning on the TV to watch Creek Days. Gail checks on him and he mentions that he appreciated the support he got from his family and friends when he worked on that piece. He admits that he doesn’t have a plan B, and never will. Gail suggests that he go back to film school to make sure he’s really committed. Dawson points out that he spent a year as a gopher; if that didn’t kill his dream, nothing will. Plus, school costs money. He wants Gail to believe that he’ll fulfill his dream.

Gail launches into a story about the time Mitch tried to make gum in their kitchen. Dawson was five and served as sous chef, but something happened that resulted in his parents having to shave his head. Gail thought Mitch’s dream was based on his love of Charlie and the Chocolate Factory. Even though the experience drove Gail crazy, she also admired it, and the way he was willing to do crazy things to make his life the way he thought he could be when he was a kid. In other words, she supports Dawson.

Jen finds Grams in the kitchen, baking, and tells her it’s okay to be scared. Grams doesn’t think it will do any good. Jen asks what she can do to help, and not just in the kitchen. Grams wants to deal with it on her own. Jen thinks they both need someone to take care of them. Grams tries to assure her that she could go into remission and live a long time. She promises that she’s not going anywhere because she’s not ready to die yet.

Patrick finally dances with Harley, promising that he didn’t come just to get in her pants. He didn’t want to have to think about her coming there with another guy. Pacey and Joey dance, but it’s pretty depressing. Joey ends up at Eddie’s house, kissing him, so I guess they’re back together or whatever. Hooray.

Thoughts: You guys, I’ve been spelling Gail’s name wrong this whole time. Oh, well, too late to change it.

Pacey wonders what kind of school dance has a punch bowl. What kind of school dance doesn’t have one?

Dreams are great, Dawson, but you MUST HAVE A PLAN B. Otherwise you end up living in a cardboard box.

Joey, you’re an idiot. I don’t care how cute or charming or talented Eddie is. You’re choosing him over PACEY. Unacceptable.

Once again, no Kerr Smith. Poor guy.

November 10, 2012

Dawson’s Creek 6.16, That Was Then: “I Wanna Go Back. I Wanna Start Over”

Posted in TV tagged , , , , , at 2:47 pm by Jenn

Boy’s name, clownish boyfriend, absentee father…do you get it?

Summary: Pacey tries to find something on TV, looks out his window, and starts to leave. He runs into Joey, who he says he was just on his way to see. Pacey tries to avoid any kind of meaningful conversation, but Joey wants to talk about what happened the last time they talked, when he told her he’s still in love with her.

Joey says that when she was younger and read Choose Your Own Adventure books, she would cheat so she could always get a happy ending. Pacey tells her that they’re not kids anymore, and he can handle whatever decision she makes. He also wants them to be able to be together without thinking about their history. Joey clarifies that he wants a clean slate. She agrees that they’ve changed and they decide to do some thinking. However, she also wants a plan.

On campus, Hetson talks to Joey about wanting to date so he doesn’t die alone. He says Harley’s been “extra-loopy” lately and has put pictures of boys on her ceiling. Joey assures him that Harley’s normal. Hetson would prefer if Harley were more like Joey – especially if it means she didn’t have a boyfriend. Joey warns that if Hetson gets too strict about boys, Harley will rebel. He asks what her high school boyfriend was like. She just says that people change.

Dawson’s at Capeside High to talk to Mr. Gold’s film class. He spent some time preparing by watching his old movies, and now he regrets it. Pacey gets a call at work from his mom and rushes to Capeside, where his father is in the hospital after suffering an arrhythmia. Doug’s annoyed with him for some reason.

Dawson shows Mr. Gold’s students his and Todd’s movie, then takes questions. One of the students, George, is basically a mini-Dawson and asks Dawson to watch his movie. Dawson is freaked out by being called Mr. Leery. In Boston, Joey asks Harley to go easier on her father; otherwise she’ll spend her teen years stuck in the house. After she leaves the room, a guy named Patrick bursts out of Harley’s closet. Joey returns and finds them kissing.

At the hospital, Pacey gets his father a private room, but Doug snipes at him for throwing money around. He’s shaken over having seen Sheriff Witter fall over during breakfast, since neither has seen their father off-guard before. Pacey admits that he forgot that Sheriff Witter has real feelings. (He probably forgot that Doug has real feelings, too.)

Joey questions Harley’s claims that Patrick is her study partner by trying to get them to actually study. Patrick tries to suck up to her, but she knows he’s “harmless” and that his sweet talk is just talk. Back in Capeside, Pacey tries to call Joey but gets her voicemail. Then Doug calls him in to see their father, who regrets that Pacey had to put his life on hold to come see him. However, Sheriff Witter’s happy to see him and wants him to stay, apparently instead of Doug.

Dawson watches George’s movie but doesn’t give an immediate response. George thinks that means he’s going to tear the film apart. Dawson notes that he’s new at this and is having trouble finding profound things to say to film students. He adds that though the movie needs work, George should keep going and trust himself. He’s already learned the things that can’t be taught.

Dawson tells him to remember what it’s like to be able to make a movie about something he loves. George teases that he already seems like a burnout. He liked Creek Daze and thought it had heart, something that can’t be lost. Pacey tries to talk to Sheriff Witter about his help, but Sheriff Witter thinks everyone needs to calm down, especially Doug. He’s more worried about what the time away from the office will do to Pacey’s job. Pacey doesn’t care – he wants to be with his father.

Patrick tries to sweet-talk Joey again, but Harley’s annoyed by his apparent crush. Joey tries to keep the peace, and Harley calls her Helen, as in Helen of Troy. She tears into Patrick for all the annoying things he’s done, and he defends himself by saying he was keeping his options open. Harley tells him to take her off his list of options.

Speaking of people who are annoyed with other people, here’s Doug. Pacey calls him out on being mad that he’s trying to help the family. Doug’s mad that Pacey is only a member of the family when it’s convenient. He brings everyone gifts, pretends to be one of them, and leaves. Pacey says he wants to leave his past as the family failure behind.

Pacey continues that Doug just wants Pacey around so he can remind himself he’s still the good son. Pacey continues that he had to leave town because he hated how their family treated him. He came back to let Sheriff Witter know that he doesn’t hold a grudge. Part of him thinks this crisis might actually be a good thing. Doug tells him to enjoy the situation while it lasts.

Harley locks herself in her room while Patrick tells Joey that he tried to treat Harley normally but felt weird. He’d rather be the funny one because at least it gets her attention. Joey finds that familiar and says that guys are all the same. Then Patrick hits on her again. Joey tells him that Harley’s a great girl, and if she’s smart, she’ll ditch him. She advises him to leave, forget about Joey, and come up with a grand gesture to win Harley back.

Pacey decides to leave the hospital for the night, but first he tells Sheriff Witter that Doug was the one who got him the private room. In Boston, Joey finally gets into Harley’s room and assures her that she has no interest in Patrick. She also thinks Patrick isn’t really interested in her but was just testing things. Harley knows but doesn’t get why he would test something that’s already unstable.

Joey tells Harley that looking back, her problems with Pacey seem small and her issues with Dawson seem “unnecessary.” (Preach it, sister.) Harley wants to know how she can skip all the drama. Joey says she wonders why things are different, like her relationship with Eddie. As a teen, you think everything’s much more important than it is. As an adult, you take a deep breath and give yourself a chance to make mistakes.

Joey advises Harley to listen to Patrick because he might have something to say that changes her mind about him. Harley wonders why Joey didn’t go to California with Eddie if her relationship with him is so different from her failed ones. Joey says it’s about her and what she’s ready for. But she won’t tell Harley what that is.

Instead of going home, Pacey goes to the Leerys’, where he and Dawson are both surprised to see each other. They talk briefly about Sheriff Witter, a conversation with some unspoken subtext about Mitch. Pacey admits to wanting to let someone else take care of the crisis. He feels like he’s been playing the role of who he is now for so long that he forgot how he got there.

Dawson understands, since he got called Mr. Leery today. He tells Pacey about his visit to the film class and how it made him realize that he doesn’t know anything. Pacey gets that. “I wanna go back. I wanna start over,” Dawson says. Pacey wouldn’t mind that, but he’d mostly like to see where things went wrong.

Dawson mentions his failed relationships, which Pacey thinks are good for finding inspiration for his movies. Dawson replies that now that he has distance and can look at those relationships, he can’t afford to make movies. Pacey jokingly says that Dawson’s the kind of person he deals with every day at work. Dawson invites him in for coffee.

Joey goes home to her dorm and calls Pacey, getting his voicemail. She admits that she hasn’t made a decision about them, and she thinks it’s because she’s trying to do it alone. They should work things out together. If she could go back, she would change a lot of things, and she’s glad she has the chance now. Joey promises not to live in the past, instead thinking about the possibilities before them.

Thoughts: Patrick is played by Taylor Handley, Oliver from The O.C., if that means anything to you.

Pacey uses a pay phone and calling card. How cute.

Instead of telling George not to do drugs, Dawson tells him not to do sports. Heh.

I like that Pacey and Dawson didn’t have some big, dramatic reconcialition scene. Three seasons ago, they would have. But the theme of the episode is moving forward and not living in the past, so it makes sense that they would move on from that kind of thing, too.

What did Michelle Williams and Kerr Smith do to deserve all this lack of screentime? At least Michelle was probably doing a movie. Who knows what Kerr did during his time off?

October 6, 2012

Dawson’s Creek 6.12, All the Right Moves: Party Time! Excellent!

Posted in TV tagged , , , , , , , , at 2:02 pm by Jenn

This is probably not good

Summary: Joey, Jen (who got a horrible haircut), Pacey, and Jack are hanging out at Hell’s Kitchen when Audrey arrives, seeing them for the first time since Christmas. She apologizes for her behavior over the past few months and for not letting them help her. She tells them about the party she went to in Malibu that she saw Dawson after, and how she finally realized that she’s the problem, not anyone else. Her friends welcome her back happily.

The next day, Joey and Emma ogle the new bartender at Hell’s Kitchen and discuss Eddie. Joey downplays their relationship and Emma buys it. She asks Joey to clean out Eddie’s locker while she heads out to band practice. At work, Rich tells Pacey and his coworkers that Stepatech Industries is about to go through the roof, so they should encourage their clients to buy. He then invites Pacey to a party at the house of Roger Stepavich, the Step of Stepatech. Rich just wants to make sure Pacey’s committed to his job. Pacey promises he is.

Emma and the rest of Hell’s Belles inform Audrey that they’re replacing her as lead singer. They need someone fast since they have a big gig coming up. Audrey understands but promises that she’s giving up her drinking and “general mayhem” because they’ve cost her the life she wanted to have. The Belles agree to give her another chance. Joey cleans out Eddie’s locker and finds a bunch of short stories he submitted for publication that were rejected.

The Belles have a great sound check for their gig, after which Audrey is approached by a guy from another band (Satan’s Tampon, heh) who invites her to a party on a tour bus. Joey helps Harley with her homework, then chats with her about Eddie’s disappearance. Harley encourages her to play detective and find him. Joey mentions finding the manuscript, which had Eddie’s parents’ address in Worcester on it. Harley tells her to at least call and see if he’s there. Joey does, and Eddie himself answers, but Joey panics and hangs up.

At Stepavich’s party, Pacey strikes up a conversation with a woman who claims to know his reputation as an up-and-coming broker. She wonders why he’s not in college if he’s so smart. He tells her he enjoys the adrenaline (and money) involved in his job. She heads off without telling him her name. Hetson goes to Hell’s Kitchen looking for Harley, who he thinks is there with Joey. He’s finally realized that she’s as much of a troublemaker as people keep telling him. Harley then arrives with a guest she picked up in Worcester: Eddie.

Audrey goes to the party on the tour bus, admitting to the guy who invited her that this will be her first sober gig. He offers her a drink, and at first she declines, but she’s nervous enough to change her mind. He also offers her a pill. Back at Hell’s Kitchen, Joey gives Eddie the cold shoulder while Hetson “punishes” Harley by making her have dinner with him. Eddie tells Joey that he came back to help her with the “problem” Harley told him about: Joey’s pregnancy. Joey clears up that Harley lied about that.

Eddie spots his manuscript and guesses that Joey sent Harley after him when she found it. He also knows that she’s the one who called his house and hung up. She blasts him for leaving town without telling her, adding that now that she’s solved the mystery, he can go. She thinks he just wanted an easy out. Eddie tells her it was the hardest thing he’s ever done, then leaves. Joey follows him out, now deciding she wants an answer. He admits that he couldn’t face her because he was ashamed of being unemployed and getting evicted. She may be poor, but she has a future.

Eddie continues that he punched Hetson because he knew Hetson was right about him being a failure. Joey reminds him that his rejection letter said he had promise. Eddie doesn’t think that was sincere. He wants Joey to be with someone better than him – she can have whatever she wants in life. She says she wanted him. Eddie disagrees, saying she wanted the person she thought he was in their English class. Then he leaves for real.

Audrey’s still drinking right up until she takes the stage with Hell’s Belles. Meanwhile, Pacey and his nameless woman do some eye-flirting before Pacey meets Roger Stepavich. He’s surprised to learn that Rich wants him to take over Stepatech’s account. Pacey doesn’t think he’s ready for the promotion but accepts.

Harley apologizes to Joey for getting involved in her and Eddie’s relationship; Joey forgives her but asks her not to make up any more pregnancy stories. She’s mostly upset that Eddie won’t fulfill his potential as a writer. Harley suggests that she show them to Hetson. Joey’s skeptical but does it. Hetson refuses to read the stories, mostly because Eddie hit him. Harley takes the stories with her and promises Joey she’ll try again.

Audrey ruins the Belles’ performance by sucking, stage-diving, having an acid trip, and passing out. Once she’s feeling better, Emma kicks her out of the band and sends her home. Hetson returns to Hell’s Kitchen to retrieve the backpack Harley “forgot”; he’s already read a couple of Eddie’s stories and agrees that he does have some potential. He thinks Eddie could even get into a writing workshop, but he would need Hetson’s recommendation. Hetson himself won’t talk to him, though, so Joey will have to.

As Pacey leaves the party, the nameless woman approaches him again and suggests that he ask himself if his promotion isn’t too good to be true. Audrey heads to her dorm room and starts to drink some more but winds up pouring out the rest of her alcohol. Joey goes to Worcester to give Eddie back his manuscript and tell him about the workshop. He doesn’t think there’s any point since he’s not that great, but Joey wants him to try. He can be a coward about their relationship, but he shouldn’t be a coward about his life.

Joey starts to leave, then changes her mind since she knows that’s what Eddie wants her to do. She reminds him that he once told her to take chances, which is the opposite of what he’s doing now. He’s afraid of living his life. Eddie agrees and kisses her. Joey tells him that’s the wrong answer – it’s too late for them. She starts to leave again, but he pulls her back and tells her he loves her and doesn’t want it to be too late. Joey says she loves him, too, but she leaves anyway. Back at Worthington, she tries to wake Audrey but can’t.

Thoughts: Heh. All the Right Moves is a Tom Cruise movie. Hee hee hee.

The nameless woman is played by Sarah Shahi, who now has her own show on USA, Fairly Legal.

Stepavich is played by Ray Wise, who has been in so many things I can’t even begin to list them. But he may be best known for Twin Peaks, which he was in with Dana Ashbrook (Rich).

Roger Howarth eating buffalo wings with a huge napkin tucked into his collar = comedy.

Trivia: Pacey’s middle initial is J.

I hope Michelle Williams and Kerr Smith enjoyed their single scene in this episode. Though it was one more than James Van Der Beek got.

September 29, 2012

Dawson’s Creek 6.11, Day Out of Days: What a Difference a Week Makes

Posted in TV tagged , , , , , , , , , , at 3:05 pm by Jenn

THANKS A LOT, EMMA

Summary: It’s Monday, and principal photography on Todd’s movie has just been completed. Dawson and Natasha make small talk about returning to L.A. She wishes him luck because she thinks he’ll need it. On Tuesday, Joey’s at Hell’s Kitchen, back from winter break, and trying to get in touch with Eddie, who she hasn’t talked to since Christmas. As she leaves, she runs into Harley, who’s now living with Hetson full-time.

Pacey’s at an aquarium at his lunch hour, and Emma’s also there, being artistic. Meanwhile, C.J.’s training Jen so she can be a peer counselor. She’s still ticked about the whole Audrey thing. She decides she can’t handle it, and he tells her to make the decision based on herself, not him. Elsewhere, Jack and David get blood tests.

Todd and Dawson have a meeting with a studio rep who brands the movie “unwatchable.” He orders Todd to do reshoots. Todd makes it clear that he isn’t happy about it. Dawson ducks out of the room and calls Todd’s phone so he can tell him privately to stop talking before he makes things worse. Instead, Todd tells the studio reps (including Heather Tracy) that he has to go deal with another idiot in the hallway.

Dawson lectures him, reminding him that they need the studio’s money to make the movie. If Todd pushes too much, they’ll hire a new director for the reshoots. Dawson knows they both want to make the movie as good as it can be. Back in the meeting, the studio head says Heather is backing Todd, so obviously there’s a chance that he can succeed. Now they just need Todd’s decision. He rants about the guy being critical and announces that he’s not doing the reshoots.

Wednesday. After a class, Hetson notices that Joey’s one of his students again and notes that the D he gave her didn’t get her tossed out after all. She tells him she ran into Harley at Hell’s Kitchen during a school day. He thinks she’s criticizing him for not paying enough attention to his daughter. Hetson proposes that they agree to stay out of each other’s lives.

Pacey and Emma hang out at the aquarium, and she explains her love of the place by telling him about the fish tanks her family had when she was growing up. She encourages him to spend the rest of the afternoon there with her. He gives in and calls in “sick” to Rich. C.J. trains Jen some more, this time with help from David, who ditched Jack to play peacemaker. Jen tries to change the subject by asking if Jack and David are officially dating yet.

Dawson meets with Heather and the studio rep, who think Todd will be joining them to agree to the reshoots after all. Dawson tells them Todd doesn’t even know he’s there. Heather guesses he called the meeting to smooth things over in Todd’s place. Dawson knows Todd can work out the movie’s problems without reshoots, and for free. Instead, Heather suggests that Dawson do the reshoots.

Dawson protests, but the rep tells Heather to call his agent. (He doesn’t have one, so the rep says to call Dawson’s mother and get her to sign a permission slip. Heh.) Dawson continues to protest, but Heather advises him to get on board for a once-in-a-lifetime opportunity. She even hits him where it hurts, pointing out that he’d be fulfilling his dreams.

Thursday. In L.A., Audrey and Jack Osbourne are on a beach after some party, talking about how she’s broke but totally not on drugs. Dawson’s there and Audrey tells Jack not to say anything to him about substances she may or may not be under the influence of. She’s surprised that Dawson came when she called him, considering she recently drove a car into his house. She confides that her parents don’t know she’s not at school, or about anything else that’s happened.

Back in Boston, Joey tries to reach Eddie again; she’s now freaking out because he won’t get in touch with her. Jack and David try to come up with comforting things to say to her. After she leaves, though, they agree that Eddie probably won’t call back. Jack admits that he hooked up with a few guys over the summer who he never heard from again. Now things are a little awkward. Harley’s back at Hell’s Kitchen, but Joey makes her leave.

Pacey still doesn’t get Emma’s love for the aquarium, since she’s been there every day that week. Emma wants to know why he’s changed his entire life. He says it’s part of growing up; as a teenager, he was always chasing after things (read: girls) he could never have. Emma doesn’t think teenage Pacey sounds so bad. He admits that he’s been thinking about reverting to his past self, so she challenges him to come back the next day in a Hawaiian shirt.

Jen starts working with actual helpline callers, but it doesn’t go well. C.J. calls her high-strung. Joey takes Harley to Eddie’s building, quickly realizing that Harley is basically the high school version of her. (She even asks if Harley lost her virginity to “a trucker named Bubba,” as she told Jen she did in the pilot.) They go up to Eddie’s apartment, but he’s moved out.

Friday! Pacey goes to work in one of his hideous Hawaiian shirts, earning some well-deserved teasing from Rich. Unfortunately, he won’t be able to take a lunch break, since he’ll have to make up the work he didn’t do while he was “sick.” Pacey notes that he’s the best of all of Rich’s employees. Rich responds by giving him his W-2. Poor Emma’s on her own for the afternoon.

Jen’s bored at the helpline since the phones aren’t ringing. She won’t let C.J. leave to get coffee since she knows she can’t handle a call on her own. He notes that this is quite a change from earlier in the week, when she couldn’t stand being alone with him. As soon as C.J. leaves, Jen gets a call and gives helping someone a shot.

Jack and David get their tests results and are both healthy. David assures Jack that he doesn’t see him any differently after hearing about his summer activities. Jack shows his relief by kissing him. Hetson calls on Joey in class, hoping to bug her, but she actually interprets a story correctly. It’s about how there are cycles in life that happen over and over.

After class, Hetson gives Joey $50 for looking after Harley the day before. Harley told him that Joey helped her out with a crisis. Joey doesn’t know why he’s being nice to her. Hetson reminds her of what she said about it not being about him. They negotiate a deal for Joey to spend three days a week with Harley. Then she gives Hetson back his $50, calling the previous day a freebie.

Dawson tracks down Todd on a beach and learns that the studio rep apologized to him after Dawson turned them down for the reshoots. He’s in favor of Dawson directing. Todd adds that this doesn’t mean Dawson’s more talented than he is. Dawson agrees, saying Todd’s his mentor. Todd just wants one thing: a picture of Natasha’s face when she finds out Dawson’s her new director.

Thoughts: No way would a studio hire someone with zero experience to do anything other than fetch coffee.

Pacey’s cell phone with the little antenna cracks me up.

So why did Audrey call Dawson? I thought maybe she and Jack needed a ride, but Jack leaves without her. It was a totally random scene.

Thank you, Emma, for trying to get Pacey to shave. I’m disappointed he put on a Hawaiian shirt instead.

Dawson and Todd’s frienship > Dawson and Pacey’s friendship.

September 1, 2012

Dawson’s Creek 6.6, Living Dead Girl: Ghost World

Posted in TV tagged , , , , , , , , , , , at 3:41 pm by Jenn

This is Pacey’s Gary Oldman impression

Summary: Natasha and her male lead film a scene where they’re about to have sex but are interrupted by a literal axe murderer. The stuntman playing the killer cuts the scene and Todd screams at him for it. He and Natasha tell Dawson the soundstage is haunted by the ghost of an actress named Melanie Ray. She was the Jamie Lee Curtis of the ’50s and was having an affair with the director of a movie called Kiss the Girls and Make Them Cry. Her husband found out and strangled her. Dawson’s more interested in the possible affair between Todd and Natasha.

The next day, Todd and Dawson watch dailies and talk about Halloween. Dawson’s supposed to get Todd a costume from wardrobe that will get him some action. Todd makes some comments about Natasha’s hotness, wondering if they make Dawson uncomfortable. He reminds Dawson that he dumped Natasha for “the prissy one.” The editor notices flashing in the scenes and slows the footage down to reveal a still of Melanie. Todd thinks Dawson’s playing a prank on him.

Pacey and Audrey are Sid and Nancy for Halloween, though Pacey doesn’t really want to go to a costume party. He spots a test she flunked but doesn’t say anything about it. Jack (who I think is supposed to be either a Lost Boy or Spike from Buffy) urges Jen (a…dark angel? I don’t know) to call C.J., accusing her of thinking he’s too good for her. She gives in, calling the help line where he volunteers and asking him to come to the party she and the others are going to.

At Hell’s Kitchen, Joey tells Eddie she made a deal with Hetson that will allow Eddie to come back to class. Eddie isn’t as grateful as Joey expected. Joey then literally runs into a teenage girl so snarky she could only be the offspring of Hetson. Her name is Harley, and Joey’s deal with Hetson involves looking after her so he can go on a date. Harley’s upset because she and her father usually go to the movies on Halloween, and he’s ditching her for a woman.

Dawson, in a Men in Black-type suit, wanders through a soundstage full of cheap Halloween props and dry ice. He thinks he hears someone whispering his name. He goes to another stage, where there’s a huge party, and tells Todd (dressed as a priest) he saw Melanie. Todd tells him he’s crazy and loses the tiny bit of interest he had when Natasha arrives in a schoolgirl costume that would make Britney Spears blush.

Harley flirts with Eddie and refuses to go anywhere with Joey. Eddie appeases them both by suggesting he take them to a haunted house. C.J. shows up at the party without a costume but with a guy named David. Jen thinks the guys are a couple. Jack tells her to go talk to David while he talks to C.J.

Joey’s suitably spooked at the not-really-that-scary haunted house, which amuses Harley. Eddie tells Joey to go easy on her because she obviously has daddy issues. Joey blathers about Eddie having potential that’s going to waste. He doesn’t want to be a “rich kid’s charity case.” He continues that he wasn’t going to go back to class after the first one, since Hetson bugged him, but he couldn’t stop thinking about Joey. They kiss, but Joey realizes she’s lost track of Harley.

Pacey tries to talk to Audrey about her F, but she brushes it off, saying she’s handling things. He’s worried that one F will lead to more of them. She fights back by bugging him about how much he’s been working. She admits that she’s been skipping class a lot because she’s depressed about their relationship. Then Emma randomly interrupts to remind us she’s in this episode. Dawson spots Melanie on a catwalk and runs up to meet her, hearing more whispering. He loses her but spots Todd and Natasha making out on a set. By the time he gets to them, they’re with other people.

The editor calls Dawson to show him a scene inserted in the dailies. It’s of Melanie being strangled by a man in a trench coat. Dawson goes back to the soundstage and asks Natasha why Melanie started the affair with the director. Natasha says she must not have been getting the attention she wanted from her husband; he had a shot and blew it. Dawson says she might not have given him enough of a chance. Yes, writers, we get the subtext. Natasha says there’s nothing going on between her and Todd, and even if there were, Dawson has no right to be jealous.

Joey and Eddie go looking for Harley as she blames him for distracting her with the kiss. He blames Hetson since he ditched Harley to go to the movies. Joey figures out that that’s probably where Harley is. Emma finds Pacey moping and gets him to open up to her about how his relationship with Audrey isn’t as carefree as it used to be. Now he’s second-guessing himself and why he’s checking out. He’s worried that he might not love Audrey anymore, or that he never really did. It’s TV, so of course Audrey heard the whole conversation.

Jen quizzes David about his relationship with C.J. He tells her C.J. talks about her all the time and really wants her…to be a peer counselor. Oh, and C.J. is straight. C.J. tells Jack the same thing, so Jack tells him Jen will be happy to hear it. C.J.’s flattered but says she isn’t his type. Joey and Eddie find Harley at the movies, and Joey gives her a verse of “You May Think Your Dad is Horrible, But at Least He’s Not Mike Potter.” Harley won’t listen.

Dawson spots Melanie again, loses her again, and catches Todd and Natasha making out again. He tells Natasha he’s sorry he hurt her and he still likes her. He admits to being jealous of whatever she has with Todd. Then he quits. Melanie’s back on the catwalk, and this time when Dawson approaches her, she comes toward him. Then she pulls off her wig, revealing that she’s really Natasha. The whole thing was a prank she and Todd pulled. They’re also not involved with each other. Dawson unquits.

Jen finally gets some time alone with C.J. and tells him she’s considering working for the help line after all. He advises her to make sure she’s doing it for the right reasons. She tells him he could save her a lot of trouble by just agreeing to a date. Jack tells David he feels bad that Jen’s throwing herself at C.J. because he told her to, but it won’t go anywhere. On the plus side, Jack and David agree to see each other sometime. And Jen thinks C.J.’s just playing hard to get.

Hetson returns to Hell’s Kitchen after his date, which didn’t go well (which is a shocker, since he’s so charming). Harley apologizes to Joey for being so horrible, and Joey lets it go. She encourages Harley to keep hoping that her relationship with her father will get better. Harley repays the favor by telling Eddie likes her and she’d better not mess things up. So Joey asks Eddie what’s going on with them, since they keep kissing and stuff. He tells her he’s not going back to Hetson’s class. Whatever’s up with him and Joey, he likes it.

Outside the costume-party location, Audrey tells Pacey she thinks they should break up. He barely protests, which makes it clear to her that he doesn’t have the energy to fight the split. She tells him he’s not a knight in shining armor – he just feels guilty that he’s sick of being in a relationship. Audrey wants to know why the people she loves don’t love her back. He tries to comfort her but she slaps him.

Natasha finds Dawson and tells him to repeat what he said about liking her. He does, and she tells him she likes him, too. He’s one of the only people she wanted to stay. He feels like the movie is all an illusion. Natasha says it could be, since for all she knows, this might be her last job. She’s going to enjoy the ride and take the experience with her. Even if she winds up only getting Dawson out of the experience, she’ll be fine. Cue the making out, complete with dialogue from the opening scene and the entrance of a guy with an axe.

Thoughts: David is played by Greg Rikaart from The Young and the Restless.

Harley Hetson? Poor kid.

C.J. mentions he plans to watch Halloween H20. Which stars Michelle Williams. Get it? (Jamie Lee Curtis is in it, too.)

A man with access to special effects couldn’t pull off a better prank than a fake ghost? Not that it matters, since Dawson was dumb enough to fall for it.

Just what Joey needs: a mini-me.